‘Tis the season to slob out on the sofa and devour a packet of mince pies in front of a good movie, a awful feature, or one that’s so bad it’s good.
Once again, a batch of latest seasonal stories hopes to be part of our holiday traditions—perhaps even earning a place alongside beloved favorites like Home Alone, Elf, Love Actually, and Die Hard (no arguments).
Therefore, in a vital public service to separate the winners from the losers, and to embrace the Christmas spirit, I binged as many fresh Christmas films as possible in a single day.
Starting, ideally, on a good foot. This film is the only 2025 movie on a well-known aggregator's list of the best 100 Christmas movies of all time.
The popular band end up stuck in the UK after finishing their international trek and must return for Christmas. Their efforts are thwarted by an evil Santa, who bursts into melody to announce they won’t get home until they “find their familial spark.”
The banter between the squabbling siblings is amusing even for the casual viewer, while followers will undoubtedly notice lots of easter eggs as they try to get back using any means of transport necessary.
It’s a journey of epic proportions.
It’s not a timeless masterpiece, but is excellent for fans and a solid start to the day.
Festive score: 🎄🎄🎄🎄🎄 for Jonas Brothers fans or 🎄🎄🎄 for their family members who will have to sit through it.
Hollywood star Kiefer Sutherland appears as a movie actor roped into a pantomime.
“A what's a panto??” asks Sutherland’s “difficult” and aging action hero Brad Mack, who has fallen on hard times and whose representative has deceived him into thinking he’s starring in prestigious English theatre.
His pantomime cast-mates inform him he’s playing Buttons. “Absolutely not,” he insists angrily. You can guess their reply. Except if you’re ignorant of traditional British theatre traditions.
There are some hilarious moments, some cockle-warming side stories, and the rest of the cast is cracking, too.
It’s the type of film that would be a bit cheesy at another season, but is a great entertainment at Christmas.
Christmas tree rating: 🎄🎄🎄🎄
A familiar face shows up at the beginning of this film, too, calling someone a mug for the second consecutive movie. Could this be a fresh holiday staple?
This time, he’s a crooning chauffeur who picks up Mr Sood, the newest interpretation on Mr Scrooge from Charles Dickens’ A Christmas Carol.
Mr Sood is played by The Big Bang Theory’s Kunal Nayyar and Christmas Karma is directed by the director of Gurinder Chadha. The classic narrative develops as the miserly Mr Sood is confronted by the apparitions of Christmas yesterday, today, and tomorrow, played by Hugh Bonneville, Billy Porter, and Boy George.
This South Asian reinterpretation is at least unique from all the others, but regrettably he’s not very compelling and Nayyar’s performance is lifeless—a problem when he’s so the focal point.
Festive score: 🎄🎄
There's just enough time for a channel's original festive film—which stars Guz Khan as a lovably grouchy guy who “doesn’t really do Christmas.”
But after he gets an sizable holiday payout at work, his wife (starring Morgana Robinson) convinces him blowing the money on a family trip to Lapland.
There’s just one snag—he learns there was an error with his bonus, which should have been £800, and he has to devise a plan for how to return the remainder.
Fun while it lasts but not lasting.
Christmas tree rating: 🎄🎄
This is one of those holiday movies where the festive trappings are in the backdrop—Christmas is the environment of the film rather than its core purpose—but it feels warm and holiday-like all the same.
Driven corporate star Sydney (starring Minka Kelly) is dispatched to a vineyard to do a deal for a sparkling wine company. During her travels, she encounters a fellow in a literary haven who promises to show her Christmas in Paris.
A commentator recently declared this is the finest new Christmas film of the past few years. That’s a bit of a exaggeration, but it is a festive dalliance with a touch of class and gives the obligatory warm and fuzzy feels.
The scene with a lengthy discussion about Die Hard is notable too.
Holiday verdict: 🎄🎄🎄
Teenage Chris, played by Lenny Rush, holds onto his belief in Father Christmas, regardless of the persuasion of his dad (starring James Buckley) to tell him the truth.
The answer is out there, and Chris embarks on a quest to find it with the guidance of a panel of well-known experts and celebrities.
It’s understated but sweet, and ideal viewing while anticipating Santa to visit.
Holiday verdict: 🎄🎄🎄
Michelle Pfeiffer is the head of a dysfunctional American family who reunite for the holidays—including other acclaimed actress Felicity Jones, Chloe Grace Moretz, Jason Schwartzman, and dad Denis Leary.
Pfeiffer begins by referencing classic festive films like National Lampoon’s Christmas Vacation, It’s A Wonderful Life and Home Alone, before declaring: “They need to make a movie about the real champions of the holidays—moms.”
So that’s what this is, but in execution it’s really a jumble of those aforementioned movies, at least until Pfeiffer’s character at last takes center stage.
Festive score: 🎄🎄
The day’s gone downhill, but happily here’s a new offering in the crowded field of formulaic, schmaltzy, badly acted—and strangely compelling—holiday fare.
It’s a narrative as old as time: An American woman journeys to a distant snowy land and ends up stumbling across romance.
In this case, Caprice Bourret plays a publisher